Charlotte Mendelson’s skill at portraying the undercurrents running beneath a family’s daily routines is superb. In Daughters of Jerusalem, she tells the story of the Lux family, who live a normal academic type of life – the father, a professor, the mother a translator, the elder daughter brainy and serious, the younger one pretty and demanding.
But beneath this facade of normality, emotions and secrets brew and bubble until they have to spill over and break open the fragile security of the nuclear family. Jean, the mother, is bored of her life, she is sick of Oxford, hates the town and its inhabitants, and badly wants to get away. An unexpected declaration from a friend gives her a new escape from her life and in her obsession, she ignores her family.
Victor, the father, appears to be a typical absent-minded professor, yet he is insecure in his post and is desperate to be chosen to give the prestigious Spenser memorial lecture.
Eve, the elder daughter, is exquisitely portrayed as a teenager full of self-hatred and anger at the world. She is ignored in the main by her parents, who concentrate on trying to appease the younger daughter, Phoebe, and Eve resorts to desperate measures to impress her parents, like asking her father to teach her ancient Greek, or give her books on French art. She is a lonely, unhappy teenager, who cuts herself or pricks herself with her mother’s needles to be able to feel something and who plots the demise of her seemingly charmed sister.
Phoebe, the younger daughter, is flirtatious and demanding, wants attention all the time, wants a pony, gets what she wants – but she is not happy, either. She is a ‘dunce’ in an extremely clever family and she secretly drinks and takes drugs to seek distraction from family life.
The story crescendoes when Victor’s nemesis, Raymond Snow, appears in Oxford and in some way, each member of the Lux family is affected by him. He is a noxious man, yet charming and a perfect antagonist.
Mendelson description of the character’s inner lives is brutal – she doesn’t pretty up any of it. She writes what many of us have thought, but would never say out loud. She depicts familial relationships in as honest a way as possible with all the vicious undercurrents and petty hatreds that suffuse families. Reviews talk about the Lux family being dysfunctional, yet I believe so many families function with similar pathologies – they are just never exposed until a crisis occurs.
Mendelson has written two other books and her fourth is being publishing in August this year. I look forward to it immensely.